DECIPHERED: A DEMONIC PRELUDE BY CHOPIN
by Rip Rense
(First published in the New York Times, May 12, 2002.)
For the first time in 150 years, there is a new work by the great fantasist of the
piano, Frédéric Chopin. It is just 33 measures long, shorter than the "Minute"
Waltz, but it reveals a world about Chopin the innovator and Chopin the bedeviled. Call it
Chopin's lost "Devil's Trill" Prelude.
"Here he was, in 1839, at age 29, half-crazed with sickness and dementia, with
these nightmarish visions of specters rising up out of the piano, and trying out something
completely wild," said Jeffrey Kallberg, a professor of music at the University of
Pennsylvania, who reconstructed the piece. "For the first time, we have evidence of
probably his most experimental work of all."
Fevered. Anguished. Demonic. Defeated. One can almost hear it all happen in the music:
a delirious Chopin furiously trying out ideas, scrawling them in idiosyncratic shorthand
further crabbed by illness. (A diagnosis of consumption was disputed.) It's a momentary
pianistic freakout, as it were, perhaps reflective of his fabled improvisational flights
never captured on music staffs but documented in writings of his paramour, George Sand,
and Delacroix.
TO READ THE FULL ARTICLE, GO TO THE NEW YORK TIMES HERE.
TO HEAR THE PRELUDE, CLICK HERE.
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